Another day, another book.

6. James by Percival Everett. A quick read but certainly not an easy one. This book is one that is eminently readable and hard to put down, as the story moves quick and true and without mercy, much like the big river that features so prominently. It is hard to go into this book without expectations, as the book that inspired this one is so well known (and indeed, one I read again several years back so it is fresh in my mind). So I knew this book was a companion piece with Huck Finn – a parallel re-telling, so it might be thought. And well. Yes? But this book is quite different in both tone and style. Everett certainly doesn’t have as light a touch with his prose. Whereas Twain’s tale bobs and floats along and written masterfully as a biting commentary on contemporary society, Everett’s book isn’t trying to win any awards for beauty. The writing is hard-edged, concise, utterly direct. There is an elegant brutality to Everett’s prose, as surely as he lays bare the utter brutality of 19th-century America’s peculiar institution. Do not expect any hands to be held or any guns to go unfired. This book will not coddle you. Yet this book very much is in dialogue with Twain’s masterpiece. They are telling the same story with the same basic aim, yet in very different fashions. Twain’s tale is the story of a boy told through the eyes of a boy, with all the wit and sparkle that Twain can muster. Everett’s narrative is the story of a man told through the eyes of a man, with all the pain and rage and sheer disbelief for what one man can do to another. Both of these books dissect the idea of the nature of man and the humanity of such (or lack thereof) but the focuses are different. For how could they not be? The story of a white boy vs the story of a black man. How do they compare? Huck Finn – even with all the darkness that lurks and shrieks – is a story of a boy growing up. James is the story of a man grown who has seen too much.

Why am I talking so much about Twain’s novel? I think Everett demands such. He is consciously writing in response to Twain and he is very deliberate in how he tells (and re-tells) the story that Twain first put to page. Because at the end of the day, as much as Twain does what he can to show the shocking inhumanity of those who proclaim to be so pious, Everett can and does do so much more as he both highlights the humanity of blacks while laying bare the utter inhumanity and animality of whites. There are quibbles I could make. I’m not sure all of Everett’s changes to the narrative quite work (especially Huck’s origin story – seemingly attempting to redeem him from the sin of whiteness?) and while I find myself amused by the way Everett uses language to highlight the demarcation between black and white society, the conceit eventually wears bare. Yet I think Everett’s attempts to portray the Other in race-essentialism-fashion hammer home the point of the evils of a race-based society. There is a tinge of discomfort at the depths Everett goes to show the amorality and evil of white society. Yet that is proper and I don’t think needs to be excused. The ending of this book is difficult to read. You could argue that Everett’s work lacks nuance, but well…nuance isn’t the point here. This is supposed to be a hard book to stomach. We should be frankly shocked and horrified at the tale Everett tells. This is not an easy book to read. Nor should it be.